United Arts Agency | UAA

Category Archives: Call for Artists

ICYMI: Angelique Power Discusses the Power of Trust in Philanthropy

Angelique Power, president and CEO of the Detroit-based Skillman Foundation, speaks with eJewishPhilanthropy on the power — and necessity — of centering trust within grantmaking. “What’s complicated about philanthropy is that money and power are often synonymous,” Power says, “And so while the sector is directed at helping, being the arbiter of how capital moves makes you — in some ways, it jeopardizes trust, just in that act right there. It creates this uneven scenario where people are coming to you asking for funding.”

Through the interview, Power lifts up long-recommended practices: providing unrestricted general operating support; releasing burdens on grantmaking and grantee reporting; removing metrics that are strenuous. Knowing how grantmaking has changed during the ongoing coronavirus pandemic, Power offers funders an opportunity to reflect on why and how these have been possible and the power trust can have in creating a future we want for the field.

Read the full interview here.

Victoria Foundation Announces Sharnita C. Johnson as Organization’s First-Ever Vice President of Strategy, Impact, and Communications

Victoria Foundation announced yesterday that Sharnita C. Johnson will serve as the Foundation’s Vice President of Strategy, Impact and Communications. In this new position, Johnson will provide oversight and management of all programmatic activities and ensure alignment with the Foundation goals and values.

This expansion of the leadership team comes as Victoria Foundation last month announced its new framework to support power-building and self-determination of Black, Brown and other communities pushed to the margins in Newark, New Jersey.

Previously, Johnson served as the Arts Program Director at the Geraldine R. Dodge Foundation, where she led a statewide grantmaking portfolio focused on arts, equity, and creative placemaking and played an integral role in the Dodge Foundation’s transformation of its mission to address the root causes and repair of structural racism and inequity.

Since 2017, she has served on the Board of Directors for Grantmakers in the Arts, and will become Chair of the Board in January 2022.

Read the announcement here.

Disaster Philanthropy Recommendations to Maximize Future Giving

Earlier this month, Candid and the Center for Disaster Philanthropy (CDP) released the eighth edition of its annual Measuring the State of Disaster Philanthropy report. In it, they examined available 2019 data on global disaster-related philanthropy, analyzing funding from foundations, bilateral and multilateral donors, the U.S. federal government, corporations, and donations through donor-advised funds (DAFs) and online platforms.

“Philanthropy plays a crucial role in helping communities prepare for and respond to global disasters and supports the long-term recovery that individuals and communities face after disasters,” the authors share, “several recommendations to help funders maximize their philanthropic impact” are offered for the future planning and resilience.

Read about their findings, actionable takeaways, and the full report here.

ICYMI: “A Deeper Look Inside The Met’s New Afrofuturist Period Room”

In a recent review in Elle Decor, art critic Kimberly Drew surveys the first-of-its-kind period room that presents an imagined Black home in New York City. “The exercise coined by [Saidiya Hartman, Ph.D.] is the work of overlaying historical gaps with imaginative narrative building,” Drew writes. “This practice stems from the reality that the everyday lives of Black people have often been underdocumented or plainly ignored.”

Read the full review here.

New Report Alert: “Overlooked: AAPI and Native American communities in philanthropy”

In a new report series, “Overlooked: AAPI and Native American communities in philanthropy,” Center for Effective Philanthropy (CEP) offers data and insight from AAPI and Native American nonprofit leaders and communities are shared that elucidate these concerning trends.

Even as philanthropy has turned greater attention toward issues of racism and systemic inequality since early 2020, Asian American and Pacific Islander (AAPI) and Native American nonprofit leaders and communities appear not to have received much increased support from foundation funders. Most foundations continue to overlook nonprofits that serve AAPI and Native American communities, despite evidence that these communities have suffered disproportionately from the effects of the COVID-19 pandemic.

AAPI and Native American nonprofit leaders report having less positive experiences with their foundation funders than nonprofit leaders of other races/ethnicities. This has been the case during, as well as prior to, the pandemic.
Despite the significant challenges facing AAPI and Native American people, most foundations continue to overlook nonprofits that serve these communities.

Read both reports and their key findings here.

New Guide Shares Arts Data Best Practices for Cities

As cities increasingly use data to help shape policy and identify service gaps, what does this mean for arts and culture? The topic often generates skepticism around identifying metrics that capture the impact of the arts. But as the creative sector continues to emerge from the Covid-19 pandemic, data will be increasingly critical to shape policy, establish more equitable and inclusive practices, and affirm the importance of arts and culture as a public service well into the future.

Bloomberg Associates, the philanthropic municipal consulting arm of Bloomberg Philanthropies, recently released a new resource that offers insights and practical tips for cities to collect and use data about their arts and cultural sectors. The free guide, Arts Data in the Public Sector: Strategies for Local Arts Agencies, summarizes findings from extensive sector research and an in-depth analysis of data practices of 15 local arts agencies across the country. Through best practices and case studies, the guide aims to help city arts leaders use data to show measurable impact, identify priority policy areas, and promote access to the arts across communities.

You can download the free guide here and read more in a blog post here.

In addition, Bloomberg Associates will host a webinar in January discussing the guide and some of the key case studies. More details to come in the new year!

“Inspiring Walt Disney” connects classic animation and European design

While they still churn out memorable animations year after year, Disney has lost more and more of their veneer over the years and shown their cool corporate face. But there certainly was a time when the company was seen only as a purveyor of magic and mirth, creating entertainment for the whole family in the forms of princesses and famous mice. And during this legendary era of Disney, the cultural wellspring they plunged for inspiration ran deep. And The Met is paying tribute to one particular stream of influence with their new exhibition “Inspiring Walt Disney: The Animation of French Decorative Arts.”

 

“Inspiring Walt Disney” is on view at the Met until March 6th and is taking a deep dive into the European visual styles that are visible in Disney’s classic pieces such as Beauty and the Beast, Cinderella, and Sleeping Beauty. It’s easy to pick up on the general aesthetic sensibilities crafted into the settings of these iconic films, but the pure detail that went into the work of these for the labour-intensive medium of animation—and at such early stages of the form—is truly a feat.

 

It’s the first time that the work of Walt Disney has ever been on display at The Met, which is somewhat of a surprise itself. The exhibition contains sixty different pieces of 18th-century European decorative arts as well as 150 drawings and frames from the Walt Disney Animation Research Library, giving viewers a very tangible way to draw connection between these cultural staples and the artworks whose essences are traced back to across cels and sketches.

 

Quite possibly the most obvious and the most thoroughly lavished in style across Walt Disney’s repertoire is that of the Rococo inspirations for the setting of Beauty and the Beast, with so much time spent within the walls of the Beast’s lavish French manor and the ornately crafted furnishings being characters themselves, the theatrical curves and gilding are front and centre. It makes sense then that that would be a strong focus of “Inspiring Walt Disney”, with pieces that point to Gothic Revival architecture and medieval design also on display.

 

“In mounting The Met’s first-ever exhibition devoted to Walt Disney and his studios’ oeuvre,” exhibition curator Wolf Burchard states, “it was important for us to explore his sources of inspiration as well as to recognize that his studio’s animated interpretations of European fairytales have become a lens through which many view Western art and culture today. Our fresh look on this material, which prompts an effervescent dialogue between the drawings and illustrations of some of the most talented artists in the Walt Disney Animation Studios and a rich array of the finest 18th-century furniture and porcelain, brings to life the humor, wit, and ingenuity of French Rococo decorative arts.”

 

Animation has long been accepted into the art world, even though your average person may still see it as a lower class of creation. The sheer effort and detail involved in mid-20th-century animation was a labour of love, and it is always inspiring to see the way that art history was weaved into these expressions. “Inspiring Walt Disney” gives insight into the process of one of the west’s most prolific creators in the medium, and is a reminder of just how much rich culture sits on that old VHS of Beauty and the Beast.

GIA is Hiring a Communications Manager

Grantmakers in the Arts is seeking a Communications Manager to join its team in New York, NY. Responsibilities include the development of communication plans for GIA programs and information dissemination, including coordination of information from members and national partners. Further responsibilities include oversight and promotion of GIA’s communication platforms, including website; news feed; social media; weekly member bulletin; and blogs. Full details and application are here.