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Monthly Archives:December 2021

Expressions West 2022

U.S. Multi-State Deadline: January 31, 2022 – Coos Art Museum announces a call for artists for its upcoming juried exhibition, ‘Expressions West 2022’, on display April thru June 2022. Juror Walt Padgett. Cash awards…

Siena Art Institute 2023 Residencies

International Deadline: September 30, 2022 – The Siena Art Institute invites professional artists and writers for residencies in Siena throughout the year. They pursue independent projects while providing insight…

FENIX360 Social Media Platform, Interviews & Apps

International Deadline: June 18, 2022 – Get paid $100 for doing a 10-15 min online interview about your life/career in the arts. In addition, join the FENIX360 app, which is a free app that represents creators from all crafts…

Brooks International Fellowship

International Deadline: January 9, 2022 – Tate, in collaboration with Delfina Foundation, invites applications for two, six-month Fully funded Brooks International Fellowship Programme opportunities…

Watermill Center 2023 Artist Residency Program

International Deadline: March 1, 2022 – Each year collectives and individuals take up residence at The Center to live and develop works that critically investigate, challenge, and extend the existing norms of artistic…

Dr. Maria Rosario Jackson Confirmed as Chair of the National Endowment for the Arts

The U.S. Senate has voted to confirm Dr. Maria Rosario Jackson as the 13th chair of the National Endowment for the Arts. She had been nominated for the position in early October. Dr. Jackson has had a long career in strategic planning, policy research and evaluation with philanthropy, government and nonprofit organizations. Her work appears in a wide range of professional and academic publications, this website included.

She has been a speaker at scores of national and international conferences. She has served as an advisor on philanthropic programs and investments at national, regional and local foundations. Dr. Jackson is a tenured Institute Professor in the Herberger Institute for Design and the Arts (HIDA) at Arizona State University where she also holds an appointment in the Watts College of Public Service and Community Solutions.

“I am honored to be confirmed by the U.S. Senate to serve as chair of the National Endowment for the Arts and excited to build on the arts endowment’s strong work to serve all communities across our nation through the power of the arts,” Dr. Jackson said in a statement. “The work of the NEA and the need for arts and creativity are more important now than ever. In addition to serving as an economic engine, arts and creativity are core to what it takes to heal our nation, our communities, and ourselves. The historic American Rescue Plan investment in the arts, together with the longstanding work of the NEA, is an enormous responsibility and opportunity.”

Read the full announcement here.

The Other Art Fair – Dallas May 2022

International Deadline: January 7, 2022 – The Other Art Fair, presented by Saatchi Art, provides a unique platform for artists to showcase their work to gallerists, curators, critics and collectors. Multiple venues…

Reflections of Gratitude

U.S. National Deadline: January 14, 2022 – In observance of Women’s History Month and International Women’s Day in March, the Berkeley Arts Council will present a collection of works about women…

Smithsonian Magazine Proposals

International Deadline: Ongoing – Smithsonian magazine accepts unsolicited proposals from established freelance writers for features and some departments. Smithsonian magazine places a lens on the world…

Bell Hooks passes, leaving legacy of activism and progress

December 15th saw the death of the legendary author, activist, and professor bell hooks. An impassioned proponent of intersectional feminism and fearless critic of racist and classist societal frameworks, hooks succumbed to kidney failure at the age of 69. Immediately after her passing, an outpouring of commiserations and messages of gratitude towards bell hooks’ work filled social media and news sites—an indication of just how strongly this radically kind and wise mind has affected the public.

 

A child of small-town, southern segregation, hooks carried a passion for literature and poetry forward into her education, receiving both a BA and MA in English at Stanford University and the University of Wisconsin-Michigan respectively. Shortly after this, she began her career as a professor and lecturer, covering such fields as ethnic studies, African and Afro-American studies, and English.

 

Perhaps hooks’ most recognized work was her first book Ain’t I A Woman: Black Women and Feminism. Almost a decade in the making, Ain’t I A Woman covered the intersections of the civil rights movement and feminist movements, honing in on the oppression perpetuated by these idealistic movements by not regarding the way in which they affected black women in their pursuits. Tying together a history of oppression and boldly critiquing still ongoing socio-political structures, hooks pushed against traditional academia to make black feminist history accessible to a broad audience.

 

Through appearances in documentaries, her work as an academic mind, and her dozens of books, bell hooks has become a keystone in the modern discourse of feminist theory and practice. With her thoughts covering everything from culture and art to masculine identity and self-love, the moral compass that guided hooks mind throughout life was clear. But it was not only her ability to passionately express her opinions on the pressing matters of female and racial equality, but the deep level of care and concern hooks’ works swelled with that made her writing—and her self—so relatable and so important.