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Category Archives: Call for Artists

New Fund: Yield Giving Open Call

Launched on March 21, 2023, the $250 million Yield Giving Open Call is an initiative focused on elevating organizations working with people and in places experiencing the greatest need in the United States: communities, individuals, and families with access to the fewest foundational resources and opportunities. The registration period is now open.

From Lever for Change:

This initiative seeks community-led, community-focused organizations whose explicit purpose is to advance the voices and opportunities of individuals and families of meager or modest means, and groups who have met with discrimination and other systemic obstacles. Organizations best suited to this initiative will enable individuals and families to achieve substantive improvement in their well-being through foundational resources. This includes, for instance, organizations providing access to health care, stable and affordable housing, education and job training, support for sustained employment, asset ownership, civic engagement, and other pathways. They may also be engaged in data collection and communication to amplify the voices of people and communities struggling against inequities.

Community-led, community-focused nonprofit organizations from across the United States and U.S. Territories are invited to apply and share the impact they have had on the abilities of individuals and families in their communities to achieve substantive improvement in their well-being.

Interested organizations must register to apply before 4 p.m. U.S. Central Time on Friday, May 5, 2023. Complete applications are due before 4 p.m. U.S. Central Time on Monday, June 12, 2023. Organizations must have an annual operating budget of at least $1 million and no more than $5 million for at least two of the last four fiscal years to be eligible to apply.

The Yield Giving Open Call is being managed by Lever for Change, a nonprofit that leverages its networks to find and fund solutions to the world’s greatest challenges, including racial inequity, gender inequality, lack of economic development, and climate change.

After applications are submitted, they will undergo Administrative Review and Participatory Review by other applicants. In the Fall of 2023, up to 1,000 applicants top-rated by their peers will advance to the Evaluation Panel Review by a panel recruited for experience relevant to this initiative. The donor team will select from among the organizations recommended by their peers and this external evaluation panel and announce 250 awardees in early 2024. Each awardee will receive an unrestricted operating gift of $1 million.

Learn more here.

ICYMI: President Biden to Award National Medals of Arts

From NEA: President Joseph R. Biden will present the 2021 National Medals of Arts in conjunction with the National Humanities Medals on Tuesday, March 21, 2023 at 4:30 p.m. ET in an East Room ceremony at the White House. First Lady Dr. Jill Biden will attend. The event will be live streamed at www.whitehouse.gov/live

National Endowment for the Arts (NEA) Chair Maria Rosario Jackson, PhD, said, “The National Medal of Arts recipients have helped to define and enrich our nation’s cultural legacy through their life long passionate commitment. We are a better nation because of their contributions. Their work helps us see the world in different ways. It inspires us to reach our full potential and recognize our common humanity. I join the President in congratulating and thanking them.”

Recipients include founding member of Grantmakers in the Arts, Joan Shigekawa.

What We’re Watching: Narrative Learning Series

Join Unbound Philanthropy for the second session of our Narrative Learning Series March 27, 2023 from 11:30 AM – 1:00 PM EDT featuring Ai-jen Poo (National Domestic Workers Alliance), Cristina Jimenz (United We Dream & United We Dream Action), and moderator Bridgit Antoinette Evans (Pop Culture Collaborative).

“No one foundation, program, or initiative can shift the narrative on immigration (or any other issue) alone. How do we work together towards a coordinated strategy that empowers, activates and funds organizations that have an integrated approach? In this session we will explore the framework developed by the Pop Culture Collaborative, as well as two distinct field-based case studies that can serve as successful models of what it means to work within a narrative system-based approach. The session will help provide examples of what it means to invest in narrative infrastructure, content, and leadership at the individual, organizational, and system/network level.”

RSVP here.

ICYMI: We Will Only Move Forward Together: An Open Call To Philanthropy

From Funders for LGBTQ Issues:

Last week, the governors of Tennessee, Mississippi, and Arkansas signed into law bills attacking the rights of LGBTQ communities:

➤ Arkansas restricted drag performances in public spaces.

➤ Mississippi banned gender-affirming health care for youth under the age of eighteen.

➤ Tennessee restricted drag performances in public spaces and banned gender-affirming healthcare for youth under the age of eighteen.

These bills are only four of three hundred and ninety-one anti-LGBTQ bills proposed in state legislatures across the country since the start of the 2023 legislative session and they join bills in Utah and South Dakota also signed into law in these first three months of the year. Republican controlled state houses and governors in the South and Midwest have ramped up their efforts to codify transphobia into state law. Throughout these two regions, lawmakers have signed bills that target trans people, our families, and trans youth in particular.

Make no mistake: we are in a crisis.

We have seen more broad anti-LGBTQ bills and specific anti-trans bills introduced in the last three months than in the whole of 2022. And while fewer than ten percent of last year’s bills were passed into law, the escalating number and severity of harmful legislation is a harbinger of things to come.

Over one hundred and fifty bills specifically target transgender and gender nonconforming (TGNC) communities. Wholesale assaults on bodily autonomy are part of a terrifying and well-worn tactic by far-right movements to weaponize TGNC communities as a divisive wedge issue to roll-back hard-won rights within reproductive, racial, and gender justice. Even this past weekend, several star speakers at the Conservative Political Action Committee (CPAC) Convention unleashed an avalanche of anti-trans rhetoric, with one mainstage speaker demanding the “eradication” of TGNC communities. This rise in authoritarianism is not addressed by current funding practices.
Queer and trans organizers on the ground are leading beautiful, robust and intersectional movements despite being vastly underfunded. Our sector has a mandate to show up and resource this intersectional movement building and simply put, in this moment of crisis it is not doing enough.

Our most recent tracking report found that philanthropic funding for LGBTQ communities is stagnating. Further, funding for state organizing only comprises fourteen percent of all LGBTQ funding. As we continue to fight for the safety, wellness, joy, and abundance of our community— particularly our TGNC youth— alongside the most mundane right to exist, this number is not enough.

Those in the philanthropic sector committed to investing in civic engagement, racial justice, reproductive rights, and indeed all social movements must center trans and gender-nonconforming movement organizations in their grantmaking.

Funders for LGBTQ Issues will continue to bring our network together in the coming weeks and months to find new ways to resource LGBTQ communities. We invite funders to join us on Monday, March 20th at 3 PM for a special funder briefing. This briefing will provide funders an opportunity to hear from movement leaders about their work in this critical moment and consider how philanthropy can support the work and fund TGNC communities.

It is well past the time for change and decisive action, philanthropy can and must do more and we are here to support it as it does. It is our hope that funders will listen and learn from the wisdom of our movement as they work to resource the liberation we all deserve.

Read the full letter and learn how to support.

ICYMI: Philanthropy Must Move from Charity to Solidarity

“Philanthropy comes in many forms. For over a decade, Black Philanthropy Month has been a time of reflection on Black philanthropists’ contributions—including the contributions of Black liberation movements,” said Son Chau for Nonprofit Quarterly. “As an American-born, Vietnamese philanthropic professional, this annual convening in August prompts me to reflect not only on the financial and political contributions that Black communities up and down the socioeconomic ladder have made to a democratic society. It also encourages me to rethink the definition of philanthropy itself.”

“Black liberation movements have advanced social progress for those who have not traditionally had political power or access to capital: the working class (white and BIPOC), women, queer and trans people, and immigrants and refugees. These movements’ leaders—usually grassroots volunteers who I view, too, as philanthropists—have demonstrated solidarity in their non-monetary philanthropy. Their approach to philanthropy did not just focus on redistributing wealth for charitable purposes based on a donor’s individual intent or a generalized love of humankind. They collectively pooled resources—such as skills, leadership, and knowledge—for the love of their communities and to advance social movements and uplift humankind.”

“Philanthropy comes in many forms. For over a decade, Black Philanthropy Month has been a time of reflection on Black philanthropists’ contributions—including the contributions of Black liberation movements. As an American-born, Vietnamese philanthropic professional, this annual convening in August prompts me to reflect not only on the financial and political contributions that Black communities up and down the socioeconomic ladder have made to a democratic society. It also encourages me to rethink the definition of philanthropy itself.”

“Throughout grade school, my brothers and I were fed by free lunch programs modeled after the Panthers’ free breakfast program. Additionally, as children, we had access to universal healthcare with Santa Clara County, the first healthcare program of its kind in the nation, modeled after the Panthers’ free health clinics. Later, we received free higher education at California’s public universities. As we grew into adulthood, Black communities were increasingly denied the opportunities and resources for which they fought—and were being pushed out of their homes. East Palo Alto’s Black population has decreased significantly due to growing inequality and gentrification: from 60 percent of the city in 1980 to less than 2 percent in 2020. Similarly, in Oakland, where I reside now, the Black population has dropped by more than half, from almost half of the city in 1980 to only 20 percent in 2020.”

“Today, my elders continue to send resources to relatives in the region that was my family’s home over four decades ago. For instance, upon celebrating milestones of relatives abroad, living or deceased, my mother and father would remit funds to support family activities related to ancestral worship, intergenerational education, and economic development in the rural areas where my ancestors are buried.”

“Black leaders taught me and my family the power of our collective resiliency in the face of many forms of violence, whether it is by war, the state, or our economic system. Likewise, they contributed to the public and nonprofit infrastructure—a result of cross-racial solidarity movement work—from which we benefited. This infrastructure supported not only my family’s material success in this country, but also our inclusion in a multiracial democracy.”

“Our sector may not recognize the community-led philanthropy of my family or Black liberation organizers as tax-deductible contributions. But to me, this is what philanthropy looks like.”

Read the full article here.

What We’re Reading: Puerto Rico town celebrates ‘first-of-its-kind’ solar microgrid

“Adjuntas, Puerto Rico, is celebrating a milestone this week as it completes the final phase in a project to boost its energy resiliency,” said Ricardo Arduengo for Grist. “The community’s 17,600 residents now host the archipelago’s first cooperatively managed solar microgrid — a network of photovoltaic panels and battery storage units that will use renewable energy to keep the lights on and power flowing during a power outage.”

“The system includes some 700 panels mounted on seven buildings in the town’s central plaza and a battery storage system capable of providing up to 187 kilowatts of power.* The batteries can provide enough off-grid electricity to keep 14 downtown businesses running for up to 10 days, serving as community hubs in case of an extended power outage.”

“Business owners and residents will run the microgrid through a nonprofit called the nonprofit Community Solar Energy Association of Adjuntas, which will sell electricity to the commonwealth’s grid through a power purchase agreement. Money saved by not buying power from Puerto Rico’s main power company will support maintaining the microgrid and starting new community projects, according to the Honnold Foundation.”

“The system was built in response to Puerto Rico’s increasingly severe hurricanes and the prolonged power outages they have caused for Adjuntas residents — some of whom have gone without electricity for as long as 11 months. Last fall, Hurricane Fiona destroyed half of Puerto Rico’s transmission lines and distribution infrastructure, knocking out power for hundreds of thousands of people. The damage came even as the archipelago’s power struggled to recover from similar destruction caused five years earlier by Hurricane Maria. Beyond the risk from extreme storms, Puerto Rico’s gas-fired power plants face ongoing risks from earthquakes.”

“As hurricanes and other climate-related natural disasters grow more destructive, many communities across the U.S. are turning to microgrids. One report published in 2021 said the cumulative capacity of such systems could more than triple by 2030, creating almost half a million jobs nationwide and billions of dollars in economic activity.”

“It’ll do the kind of things that really help communities keep together during power outages and natural disasters,” Trujillo said. “It’s a beacon of light, both figuratively and literally, in times of need.”

“What we are doing with the microgrid is a reference for what can and should be done in other municipalities in Puerto Rico,” he told me. “We can change our energy system, it can be done — we have shown that it can be done.”

Read the full article here.

Hard-Edge traces the line back for geometric abstraction

It’s easy to take starkly geometric styles for granted. They’re something that we spend our foundational years learning the names of, counting the sides of, and using them as reference points to find their fused forms amongst the complex shapes of our world. It’s not surprising, perhaps, that some struggle to see deeper meaning in the likes of geometric abstracts and hard-edge paintings. But the Vancouver Art Gallery has put a strong case forward to the sheer impact of this form with their latest exhibition, Hard-Edge.

 

Selected primarily across the 60s and 70s, Hard-Edge is a varied and entrancing look into a style of deceptive simplicity. Characterized by distinct divisions of colour—spaces and shapes consisting usually of one uninterrupted colour—the near-mathematical precision of hard-edge painting has the capacity to powerfully evoke feelings of imposing uniformity as much as they do the spirit of variance. And this dichotomy of energy in the form is on full display in this exhibition.

 

Curated entirely from the VAG’s collection by Dr. Richard Hill, Smith Jarislowsky Senior Curator of Canadian Art, one is quickly confronted with both sides of hard-edge’s spectrum. Through the likes of Diade Bleu-Vert and Structure Orange-Vert one sees the strength in the variation of a single colour within solid, rectangular confines to evoke weight or energy, and in the wide curvature of and primaries of Quiet Landscape one can sense a buoyancy and expansiveness beyond the confines of the canvas. Douglas Morton’s Fracture Black seems to hold this division within itself and has an irrefutable draw inward for the viewer, deeper than the canvas contains. It’s easy to see the styles relation to colour-field works like those of Rothko through their sheer use of overwhelming bodies of colour.

 

Paul C. Huang
Quiet Landscape, 1965
oil on canvas
Collection of the Vancouver Art Gallery, Gift of Patricia McCulloch

 

To speak of the confines of the canvas, Hard-Edge showcases some of the brilliant shapings that artists took to the containers of their works in this field. Optional Module is perhaps the most obvious of them, its physical construction powerfully evoking the divisions represented in the content of these works (and somewhat endearing referred to many a passerby as “a pizza”). Frank Stella is one of the most impactful artists of this technique, exemplified in Darabjerd II; with its curved frames and concentric quarter-circles, each layer radiating with a gentle vibrancy, Stella creates heavenly geometry—cartography of the astral plane. It is impossible not to find yourself lost somewhere in those lines.

 

Frank Stella’s “Darabjerd II”; photo by author.

 

While there are aspects of these works on display that immediately evoke their era, some of the pieces on display feel deeply connective to modern sensibilities and recent history in a timeless manner—another testament to the power of this style. The untitled works of Leon Polk Smith, with their clean yet asymmetrically divided circles, feel like a new alphabet of symbology. But Brian Fisher’s Passage is truly striking in evoking what feels like a keystone of early digital art sensibilities. Through its thin, precise lines and deep colours, it connects hard-edge work to early vector works—one through choice and one through necessity—in a way that makes this 1966 painting feel truly anachronistic.

 

Brian Fisher
Passage, 1966
Acrylic on canvas
Collection of the Vancouver Art Gallery, Gift of J. Ron Longstaffe

 

Hard-Edge is an entrancing look into a subset of abstract geometrics that held a rich collective in North America. Exemplifying both uniformity and the rejection of it, dichotomy, division, and dreamlike illusion are found in spades across these works. The VAG has put together an exhibition that opens your eyes to a valuable part of modern art’s history—and when they’re there, you’ll have a hard time taking them away.

What We’re Watching: Your Brain on Art Book Talk

Join Public Health Grand Rounds at the Aspen Institute for a lunchtime book talk on Monday, on March 20, 2023 at 12pm at the Aspen Institute in D.C.. Author’s Susan Magsamen and Ivy Ross discuss their new, ground-breaking work, Your Brain on Art: How the Arts Transform Us. “Your Brain on Art: How the Arts Transform Us shares the new science behind humanity’s evolutionary birthright — to make and behold art and its power to transform our lives. What artists have always known, and researchers are now proving is that arts, in all its forms, amplify physical and mental health, learning and flourishing and build stronger communities.” Learn more and RSVP here.

New Fund: Borealis Philanthropy and Ford Foundation Launch $1 Million Disability x Tech Fund to Advance Leadership of People With Disabilities in Tech Innovation

From the Ford Foundation: “Today, Borealis Philanthropy and the Ford Foundation announced the launch of the $1 million Disability x Tech Fund, the only national fund supporting disability-led groups working to bring about transformational change at the intersections of disability rights, justice and technology.”

“The Disability x Tech Fund’s inaugural cohort of grantees is comprised of five disability-led organizations and two individual fellows addressing fieldwide harms that occur when people with disabilities are excluded from the development, deployment and governance of tech. Those include algorithmic bias that undermines access to necessary benefits, biometric surveillance that disproportionately punishes people with disabilities and barriers to participation in the digital economy, among others. The Fund’s grantees seek to address these harms through research, litigation strategies, accessible content creation and interpretation, and frontline community-developed open source platforms.”

“The Disability x Tech Fund was born out of a yearlong process led by an advisory committee made up of people with disabilities, representing a wide range of expertise and backgrounds at the intersection of technology, disability rights and justice. This advisory committee informed philanthropic investments from Borealis and Ford on strategies to address harms at the intersection of disability and technology, and it nominated and selected the inaugural cohort of grantees. In doing so, the Disability x Tech Fund models a vision for the world where the leadership of people with disabilities is not only considered but prioritized in technology development.”

“‘Many people with disabilities live at the intersections of inequity, bias and discrimination, but we are often siloed from broader equity and justice movements,” said Sandy Ho, director of the Disability Inclusion Fund. “The Disability x Tech Fund intentionally supports disabled leaders who are most directly impacted by systems of oppression and who understand that we all do or will experience disability at varying times, to varying degrees. We fundamentally believe that disabled perspectives, innovation and expertise will strengthen efforts to advance technology solutions, eliminating ableism — which hinders broad and necessary possibilities for all human beings now and especially into the future.'”

“The Disability x Tech Fund will expand the participation, leadership and thought partnership of overlooked and under-resourced people with disabilities across the tech sector. The Fund is grounded in the belief that designing solutions for a more just and inclusive technology future requires an investment in the leadership, expertise and experiences of those who are most directly impacted by technology bias and discrimination. To that end, the Disability x Tech Fund supports organizations that are disability-led and disability-serving, particularly those led by Black, Indigenous and people of color; queer and gender nonconforming people; and women.”

Read the full announcement here.

What We’re Reading: What the Oscars teach us about the urgency of DEI

“‘If you are silent about your pain, they’ll kill you and say you enjoyed it.’ This Zora Neale Hurston quote was what started to rattle around my head this morning, after waking up to the news that Angela Bassett’s visible heartbreak – for not winning Best Supporting Actress at last night’s Oscars – was already being critiqued by the talking heads of Twitter for its lack of ‘graciousness’,” said author Ella McCann-Tomlin for Ardent.

“Ahh, graciousness. A term that we Black women know all too well. A term that’s lobbed our way anytime we do not show the required level of civility and gratitude for the crumbs that white institutions deign to throw our way. When the facade that we so lovingly craft of agreeability and likeability and ‘grateful just to be here’ is cracked, even for a moment, the condemnation is always swift.”

“But imagine being a Black actor that’s been at the very top of her game for over 30 years; someone who should arguably have won multiple Oscars already, but who has only ever been nominated twice. Imagine working in an industry known for its anti-blackness, known for its snubs, and its disrespect – but holding out hope that this could finally be your night. And then being criticised for your authentic reaction to the news that you probably knew was coming, because history has taught you what to expect.”

“Working in DEI means challenging and critiquing systems. It means wrestling with the hopeful desire to transform institutions that have long excluded certain groups, and the deep concern that these institutions may never truly recognise or include us. When it comes to the Oscars, this mix of joy and sorrow is built into our relationship with the ceremony.”

“So – many of us are feeling a mixture of emotions today, as is often the case post-Oscars. The many history-making ‘firsts’ are both a wonderful, heartening sign of progress, and a damning indictment of how far we still have to go. Ke Huy Quan’s admission that (before making his glorious comeback) he quit acting for decades because of the lack of roles for Asian actors isn’t just an inspiring story of grit and perseverance, it’s a shocking revelation about industry-wide racial exclusion. And how wonderful it would have been to finally see a deserving Black actress win for a part in a Black-led film, in which Blackness is not only respected, but celebrated. Angela Bassett’s crestfallen reaction to yet-another snub in a decades-long line of snubs was both heartbreaking and refreshing. It was an invitation for Black women to be authentic (if only for a moment) in a world that expects only graciousness from us. Our pain is valid and we don’t have to be silent about it.”

Read the full article here.