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ICYMI: Why the entire board of Seattle’s ACT Theatre just stepped down

“A Contemporary Theatre — Seattle’s ACT company — has announced that its entire board of trustees has voluntarily stepped down,” said author Mike Davis for KUOW. “The only exceptions are three positions required by law — the chair, secretary, and treasurer.”

“The change was sparked when board members read an article in American Theatre Magazine by Michael Bobbitt titled “Boards are broken, so let’s break and remake them.” Bobbit is Langs’ counterpart at the New Repertory Theatre in Watertown, Massachusetts.”

“In the article, Bobbitt argues that nonprofit boards are broken, and need to be dismantled and rebuilt. He notes that most boards don’t represent the communities they serve, and points out the tension between creative vision and fiduciary responsibility. That further raises questions around who should direct a theatre’s creative vision — board members or artistic staff?”

“What is happening at ACT is the result of unprecedented collaboration between the ACT Trustees and ACT’s world-class staff leadership over multiple years,” Dr. Eric Bennet, board chair, said in a statement. “Given that there’s no blueprint for this type of organizational equity and change to draw from, this has meant answering fundamental questions together to chart our path forward. The ACT Board’s restructuring is about trusting that, through equity, we’ll be a more vibrant, thriving theatre and able to bring audiences the most authentic contemporary work.”

Read the full article here.

What We’re Reading: How can we advance arts education for all? This organization has some answers

“Senate Bill 681 was signed into law in July 2020, officially creating an arts high school graduation requirement in North Carolina. This graduation requirement begins this school year with entering sixth grade students,” said Caroline Parker for EducationNC. “All 50 states and the District of Columbia have content or performance standards for arts education, but only 32 define the arts as a core or academic subject, according to the The Arts Education Partnership (AEP).”

“While we are visiting North Carolina art classrooms, AEP’s ArtEd Amplified showcases stories from around the states and other countries. How can dance change the brain? Sloka Iyengar discusses this in her perspective piece “Exploring the Convergence Between Arts and Sciences, One Month at a Time.” What key steps did a principal and art consultant do to implement change towards an arts integration model in New York? Jenna Masone, Ed.D. and Jennifer Katona, Ph.D. describe the transition in “Transforming a Traditional School into an Immersive Arts Integration School.”

“AEP is a resource for nationwide research and perspectives on all things art education. Look out tomorrow for a piece on how North Carolina’s art education policies compare to other states. Alessandra Quattrocchi uses the Arts Education Partnership’s ArtScan tool to give an overview of the state of art education in North Carolina.”

Read the full article here.

New Resource: Funding For Real Change

From Funding for Real Change: Over the course of the pandemic, more than 60 percent of foundations loosened restrictions and lightened reporting for grants. Now is the time to normalize good grantmaking practices across the sector and to ensure that civil society organizations & social movements are not deprived of the resources they need. Project-based giving doesn’t have to put organizations in a straitjacket – it can be done in a more flexible and equitable way. Explore the range of practices on this site to see how you can create impact and strengthen organizations for the long term by building more flexibility and trust into your grantmaking.

Ariadne and EDGE Funders Alliance came together to create this website in order to acknowledge that project-restricted funding will most likely continue to be the most common way of supporting grantees while also advocating for a future where multi-year flexible funding is more common.

Much of the data on this site is developed by Humentum and MilwayPLUS, facilitated by BDO FMA and resourced by Funders for Real Cost, Real Change (FRC) Collaborative and the Ford Foundation.

Explore the resource here.

Target Gallery 2023 Open Call for Solo Exhibition

U.S. Multi-State Deadline: September 18, 2022 – Torpedo Factory Art Center invites regional artists living in the D.C., Maryland, or Virginia to apply for a solo exhibition at our Target Gallery. Stipends…

PRO.ACT Theatre Festival brings English theatre to the Ukraine

As the war rages on between Ukraine and Russia, there is a clear desire amongst its populace to hold onto what bits of normalcy and expression they can in the face of violence. Of course, one of the key things people have always turned to in coping with disaster is art. There have been numerous creative endeavours in Ukraine throughout this fraught time, and one such instance is the annual PRO.ACT theatre festival.

 

PRO.ACT is an English language theatre festival that has been running in Ukraine since 2018, hosting both plays, workshops, and theatre laboratories in English. A festival run by the ProEnglish Theatre company, it was founded by company executive director Alex Borovenskiy. Currently running from August 13th till the 22nd, PRO.ACT is combining live theatre events in Ukraine as well as pre-recorded and streamed performances to share its works around the globe.

 

Partnering with streaming platform Scenesaver, PRO.ACT 2022 is bringing theatre from all over to audiences, including: Spitting In The Face Of The Devil (United States)—an autobiographical piece by Bob Brader exploring the abuse from his ex-marine father; Make Up (U.K.-Scotland)—rumination of a drag queen on changing times and living with queer identity; and the premiere of Borovenskiy’s Love At Times of War—an examination of love and relationships in the dangerous times Ukraine finds itself in.

 

Theatre has a long history of significance in the wake of (and during) wartime. The World Wars fractured much of the collective artistic psyche of the world, and German playwright Bertolt Brecht—who first began writing in the 1920s—came into fame with his experimental epic theatre after World War 2, with its political and informational bend. France was a hotbed for innovative theatrical thought, with Theatre of the Absurd emerging with the viewpoint of human struggle as an absurd condition, as well as Theatre of Cruelty sprouting from the tortured mind of Antonin Artaud, who saw an inherent disconnect between audiences and their primal emotions and would craft ritualistic performance to shatter these inhibitions.

 

But more than anything, theatre has been a way for people to return to some semblance of connection with the arts and each other after the cataclysmic events of war. PRO.ACT is doing more than staging a strong platform for English theatre in Ukraine—now, more than ever, it is connecting people amidst dire circumstances. Through their work, they are giving not only a voice to the turmoil of this war, but they are giving comfort to those who seek stories in times of pain.

What We’re Reading: Why Art Matters in the Face of the Climate Crisis

“How can we stop the world from burning? For many years, I responded to that question as an environmental advocate,” said author Manisha Bapna for Orion

“In our fight against climate change, my colleagues and I employ hard-edged tools such as legislation, policy, and litigation—all informed by science and real-world impacts on people and nature. But as the Anthropocene accelerates and our time runs out to set the world on a more sustainable and equitable course, I have come to recognize that these tools alone cannot change the world fast enough to save it.”

“This new world we inhabit, the Anthropocene, is hard to fathom. The speed and scale of change are disorienting. The stakes are now too high to ignore. The future of humanity—and all life on Earth—is in our hands. We need to reset our relationship with nature—so that we appreciate it for its intrinsic value, as well as its connection to our health, economy, and communities.

In recent years, progressive organizations of all kinds have come closer together, realizing that the problems we work to solve intersect and compound. Collaboration increases our odds of success.

The same is true across disciplines: poets and scientists, essayists and environmental lawyers, storytellers and policy experts. Working together, we stand a better chance of steering away from catastrophe in the Anthropocene and toward the light.”

Read the full article here.

What We’re Watching: Restitution Roundtables: Remember to Reclaim—Confronting Colonial Pasts and the Way Forward

From Open Society Foundations: “This discussion about the restitution of Ngonnso to the Nso community, hosted by the Open Society Foundations Global Initiative for the Restitution of African Cultural Heritage and Open Society grantee SySy House of Fame, features African cultural heritage activist Sylvie Njobati and researcher María Leonor Pérez Ramírez discussing the power of civil society empowerment and the work which led to this historic event.”

Veronika Chatelain is a program officer of Expression for Global Programs at the Open Society Foundations, where she co-leads the Global Initiative for Restitution of African Cultural Heritage. Sylvie Njobati is a restitution activist and the founder of Sysy House of Fame, an arts and culture organization in Cameroon. María Leonor Pérez Ramírez is a research associate for the German Contact Point for Collections from Colonial Contexts.

Watch the full discussion here.

Well it’s been a week since we performed our last Saturday Night Spectacular and…

Well it’s been a week since we performed our last Saturday Night Spectacular and…


Well it’s been a week since we performed our last Saturday Night Spectacular and I am still buzzing from the excitement! We really ended this on such a high note. The amount of positive reactions and comments are off the charts. I have to give a huge shout out to my entire crew who busted ass while having a fun time. We set out on a mission to blow some minds and I think we accomplished just that. ❤️ I’m not exactly sure who’s videos these are, but thank you for capturing this moment. #tylerfuquacreations #stringsummit #nwss2022 #stringsummit2022 #butterfly #caterpillar



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This year at the Northwest String Summit we brought more art installations that …

This year at the Northwest String Summit we brought more art installations that …


This year at the Northwest String Summit we brought more art installations that ever before! People really seemed to enjoy these on all sorts of levels. • The NWSS letters and rainbow pyramid (via Lucky and Michael) • A simple yet effective Disco Ball in just the right location • The classic Psychedahlia Garden • A new condensed version of the Psychelectric Light Tunnel • Snake in a Spinning Window • Flower Towers • Memory Lane with a ton of pics from various photographers from throughout the years and a video created by Andrew Brislin The TFC crew busted ass to set these up and maintain them over the weekend (thanks Ezra!) When a dreaded hot Monday finally came, we all busted even more ass and got everything loaded up in a few short hours. My crew is truly the best! Thanks to the various people who captured these images. ❤️ #tylerfuquacreations #nwss2022 #stringsummit #northweststringsummit2022 #northweststringsummit #art



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