United Arts Agency | UAA

Monthly Archives:April 2024

Photography 4 Humanity

International Deadline: August 1, 2024 – The United Nations supported project, Photography 4 Humanity Global Prize Competition, has turned its lens towards climate justice. We believe climate change is…

Art On Loop Barcelona

International Deadline: July 12, 2024 – Showcase your art digitally on our special projectors and be part of an immersive art experience! The show is 3 day long with a private viewing. Artists worldwide welcome…

Ivyside Juried Art Competition

International Deadline: June 21, 2024 – Misciagna Family Center for Performing Arts announces a call for artists for its upcoming Ivyside Juried Art Competition. Up to four artists awarded solo gallery exhibitions…

Manifest 2024/25 Exhibition Proposals

International Deadline: June 1, 2024 – Manifest Gallery invites visual artists and designers to submit proposals of original bodies of work for its upcoming season. Two types of proposals are being accepted…

2024 Photo Review Photography Competition

International Deadline: May 15, 2024 – The Photo Review, a highly acclaimed journal of photography, is sponsoring its 39th annual photography competition, one of the oldest photography competitions in the world…

April Member Spotlight: Cave Canem

Cave Canem was founded by Toi Derricotte and Cornelius Eady in 1996 to remedy the underrepresentation and isolation of African-American poets in the literary landscape. That year, Cave Canem welcomed the inaugural cohort of Fellows to our Retreat—a residency of intensive poetry workshops and readings, which offers an unparalleled opportunity to join a community of peers and study with a faculty of renowned poets—at Mount St. Alphonsus Seminary, in Esopus, New York. Since 2003, University of Pittsburgh|Greensburg has hosted the flagship program. Cave Canem Fellowships have supported more than 500 poets, many of whom have gone on to distinguished literary careers, including winners of the National Book Award and Pulitzer Prize, recipients of the MacArthur Fellowship, and Poets Laureate.

Cave Canem offers a suite of core programs that consists of  Fellowships, Regional Workshops, Prizes, and a Legacy Series, as well as readings and other presentations that highlight the poetry of our Fellows and that of the African diaspora. Programs are open to the general public, offering Black poets exposure to new audiences and new audiences exposure to Black poetry. Our programs and publications enlarge the American literary canon; democratize archives; and expand the notion of what is possible and valuable in a poem for students, aspiring poets, and readers.

Lisa Willis, Executive Director, Cave Canem

“Black poets and literary arts organizations have made significant contributions to the American and global cultural landscapes. As we continue doing our part to diversify and contribute to the arts ecosystem Cave Canem is excited to be in community with its grantmaking colleagues and eventually share more on the research we are conducting to understand what has made our community so resilient, and to share our findings on what is required to ensure Black literary arts service organizations survive and thrive well into the future.

In addition to the direct support of Black poets through prizes and fees; Cave Canem began its Fellows & Faculty Fund in 2020 to help support members of our community during a time of global hardship. As we continue to foster community across the diaspora our re-granting program has since expanded to include both individual and project grants to serve as a resource for our poets to nurture their poetic pursuits and make access to Black Poetry more equitable. We are excited to continue this important work and to join GIA as a National Partner as of February 2024.”

Social Media Links and Handles

Facebook @cavecanempoets
Instagram @cavecanempoets
Twitter @cavecanempoets
LinkedIn

You can learn more about the Cave Canem on the photo credits page.

VCU Health Children’s Hospital Art Purchases

U.S. Multi-State Deadline: December 1, 2024 – The VCU Children’s Hospital of Richmond, Virginia is seeking artists to submit images of original artwork available for purchase for the new children’s hospital wing…

The Empowered Feminine

International Deadline: April 19, 2024 – ‘The Empowered Feminine – Art & Luxury Engagement Series’, at DTR Modern Manhattan, aims to empower female collectors, female investors, and entrepreneurs…

Emerging New Media Artists

International Deadline: April 29, 2024 – Diriyah Art Futures Centre announces a call for applications for its ‘Emerging New Media Artists’, a one year programme that provides cutting-edge equipment, production budgets…

Art Basel Hong Kong 2024 wraps on a year of growth

Many international festivals have been seeing a slow return to their former glory this past year after reduced operations due to the COVID-19 pandemic—although there are still reports of new surges—and this was evident at Art Basel Hong Kong 2024. After multiple years of a pared-down version of the event, it was back in full force this past week to showcase Pacific Asian artists and the global art community.

 

Art Basel Hong Kong 2024 hosted two hundred and forty-two exhibitors, compared to the one hundred and seventy-seven from last year—although they reported being down over 10,000 visitors from last year’s total of 86,000. Still, the festival made a strong showing of talent from across the Pacific Asian region and its diaspora, from curated works of the early 20th century and beyond to galleries for established and emerging artists to immersive installations.

 

Some of the works in the central spotlight of this year’s exhibition included: Atsushi Kaga’s Ukiyo-e (2022-23), an installation evoking a traditional Kabuki-style theatre of the Edo period with a panel painting of the artist’s bunny alter ego sat amidst homages to his late mother; El Anatsui’s A Desire To Get Away (2024), a massive tapestry of bottle caps and metal wire, resembling a fish’s scaly skin from repurposed waste; and the wealth of film works curated by Li Zhenhua.

 

While Art Basel Hong Kong 2024 may have seen a dip in numbers from the prior year, it is certainly no reflection on the art on offer. An all-encompassing presentation of the modern-historic and current works within its borders and beyond, it is positive to see growth in presentation in the wake of the recent artistic climate. Fingers crossed for an even stronger turn out in the years to come.