United Arts Agency | UAA

Monthly Archives:October 2022

What We’re Reading: Re-generation and Re-storying with the Sweet Water Foundation

From Mellon Foundation, “In the face of redlining and municipal disinvestment, the Sweet Water Foundation (SWF) has worked within its neighborhood—at the nexus of Englewood and Washington Park on Chicago’s South Side—to turn what was once considered by many a no-man’s land into a vibrant model for Regenerative Neighborhood Development. Among its bounties: a community farm spanning a full city block, a hand-raised timber frame pavilion for community events known as the Thought Barn, and the historic Civic Arts Church now returning to its origins as a space for spirituality, creativity, and safety, especially for the Black community.”

“The Commonwealth is a play on words, history, meaning, reason, and intention to unpack the question of value. Fundamentally, we call into question what is ‘common,’ which is compounded with core questions about who or what defines ‘wealth,’ and why and for whom? Where do food, health, education, love, nature, play, and all of the things that are essential to humanity factor in the equation of ‘wealth,’ and how are they valued? Simply put, The Commonwealth reflects a space of “common wealth” that is based upon principles of public trust. The name was selected to articulate what Sweet Water Foundation is building through its practice of Regenerative Neighborhood Development.”

“The work of Sweet Water is not confined to one location. The ‘Humans of Sweet Water’ carry this dream work, thinking, and doing across the country. Others also see and become attracted to what is happening here. This, after all, is the function of powerful art-making and creative activity. It calls out from the hidden, forgotten, truncated depths within hearts, minds, and souls. It awakens those who dare to wonder, to see, and to learn how to seed their own vibrant expressions of life. And those who are called to just stop by—the teachers, planners, architects, preachers, neighbors, or homeless—are all invited to see something different, to grow new stories in old communities and to become ‘solutionaries’ who will dare seed new ideas. Those outside the community are now beginning to surrender their fearful images and see something hopeful. The sacred laborers from within the garden are calling us all into something far larger than Sweet Water. What we are seeing here is just how giving and forgiving the universe really is.”

Read the full article here.

Arts in Nature Funded Residency Program

International Deadline: November 28, 2022 – The call for Bernheim’s 2023 Arts in Nature Residency Program is now open! Let over 16,000+ acres of Kentucky conversation land be your muse. Support…

Letzte Generation protest with mashed potatoes on Monet

Certainly, our planet is in the grip of severe climate degradation and environmental destruction and in need of immediate action. This makes it no surprise that protests, especially staged by younger generations, are becoming more and more prevalent. The latest such event in the public eye is one staged by the German environmentalist group Letzte Generation (translating to “last generation”) involving a Monet and mashed potatoes and follows in suit with other near-identical demonstrations staged at art galleries across the globe.

 

Arriving at the Museum Barberini in Potsdam, Germany, two individuals from Lezte Generation proceeded to throw a moderate serving of mash onto Meules (translating to “stacks”) by Monet, a vibrant depiction of sunrise emerging and casting colour across a series of haystacks in a field. They then appear to have quickly applied superglue to their hands to affix them to the painting’s wall in an effort to remain there. Mirjam Herrmann, one of the protestors, went on to state to the crowd:

 

“People are starving, people are freezing, people are dying. We are in a climate catastrophe. And all you are afraid of is tomato soup or mashed potatoes on a painting. You know what I’m afraid of? I’m afraid because science tells us that we won’t be able to feed our families in 2050.”

 

Almost identical actions have been performed by the UK group Just Stop Oil, both earlier this month at the National Gallery in London as well as several other galleries in England. The group has thrown soups on the likes of Van Gogh, smeared cake on a wax sculpture of King Charles III, and stopped traffic at the famous Abbey Road crossing. While not seeming to be under the same leadership, Letzte Generation and Just Stop Oil seem to be exact iterations of the same plan down to their orange regalia; this might denote a growing presence for this movement globally.

 

Meules—which is currently on loan from art collector Hasso Plattner which he purchased in 2019 for over $110 million—was unharmed in Letzte Generation’s protest. As actions have progressed, that seems to be a fact the protestors are aware of in their actions. And while their demonstrations in many ways seem juvenile or misdirected, the sentiment behind them is one of utmost importance. Many in the art world seem to be unfazed by these actions, but both the public and officials have shown such disdain for the essentially harmless actions that it points to the question—does a minuscule inconvenience really bother you more than the death of our planet?

What We’re Watching: Nothing is Broken: What Evaluation and Philanthropy Can Learn from Abolitionism

From Nonprofit Quarterly: “At GEO’s 2022 National Conference, hosted in partnership with Forefront, grantmakers and other practitioners had the opportunity to come together in Chicago, Illinois to explore challenges and uncover solutions with fellow grantmakers who are continuing to lean into transformational change in order to create a just, connected, and inclusive society where we can all thrive. The conference program included Short Talks—engaging, 20-minute, keynote-style presentations that challenge current philanthropic culture and practice or inspire participants to think about the topic, their work and/or lives differently.”

Watch the talk with Dr. Aisha Rios (Coactive Change) here.