United Arts Agency | UAA

Monthly Archives:September 2022

ICYMI: United Philanthropy Forum Welcomes New Board Directors & Officers

“At United Philanthropy Forum’s 2022 Annual Membership Meeting on July 19, 2022 in Seattle, WA, the Forum’s membership elected five new members to the Forum’s Board of Directors for three-year terms,” which include GIA President Eddie Torres.


Kyle Caldwell, President & CEO, Council of Michigan Foundations
Ann Esteban, Vice President, Finance, SoCal Grantmakers
Erik R. Stegman (Carry the Kettle First Nation Nakoda), Chief Executive Officer, Native Americans in Philanthropy
Eddie Torres, President & CEO, Grantmakers in the Arts
Marcus F. Walton, President & CEO, Grantmakers for Effective Organizations

“‘The Forum is honored to welcome these five stellar philanthropy leaders to the Forum’s Board of Directors,’ said Forum President & CEO David Biemesderfer. ‘They bring a valuable diversity of perspectives and skills that will serve the Forum well as we continue striving to achieve our vision of a courageous philanthropic sector that catalyzes a just and equitable society where all can participate and prosper.'”

“Also at the 2022 Annual Membership Meeting, Forum members honored four Directors who completed their board terms: Susan Taylor Batten, ABFE: Ret Boney, North Carolina Network of Grantmakers (formerly); Paul D. Daugherty, Exponent Philanthropy (formerly Philanthropy West Virginia); and Nick Deychakiwsky, Charles Stewart Mott Foundation.”

Read the full announcement here.

What We’re Reading: How Philanthropy Upholds White Supremacy

“Do you know much about philanthropy? Most people don’t,” said author Jessamyn Shams-Lau. “Philanthropy’s decision makers are not exactly representative of the general public, yet their influence has ripple effects on marginalized communities.”

“When we incorrectly believe or misunderstand that the contributions to foundations and donor-advised funds still belong to the founders, we reassign ownership of the foundation and the funds to them. This perpetuates a concentration of power at odds with representation, inclusion, democracy, and community.”

“Our understanding influences who holds power.”

“And in the case of philanthropy, power is often held by people who are furthest away from the communities served, spend the least amount of time studying the history, context, and data of issues being addressed, and are most likely to be involved in philanthropy due to family obligation, professional expectations, or the idea of ‘legacy.'”

“If founders truly divested control of foundation and DAF funds to diverse groups like this, money would flow more freely to Black and Brown communities. By maintaining control through board seats, founders and founding families exert undue influence in Black and Brown communities–by commission or omission–and carve out for themselves another well-heeled version of the white man’s burden.”

Read the full article here.

New Fund: Vermont Arts Council offers new Creative Aging Grants

“The Vermont Arts Council is offering a new grant program to provide meaningful arts learning experiences for older Vermonters, hoping to ease the social isolation that sometimes arrives as people age.”

“Creative Aging Grants provide up to $4,000 for organizations to provide skill-based arts instruction and intentional social engagement led by experienced teaching artists for older adults aged 60+.”

“Vermont nonprofit organizations, educational institutions, agencies of state government, counties, and municipalities are eligible to apply. This includes arts organizations, senior centers, and area agencies on aging. Collaborations with or among such organizations are welcomed.”

“Applicants may engage artists on the Council’s Creative Aging Teaching Artist Roster, which comprises experienced teaching artists that trained with Lifetime Arts to design creative aging programs that include skill-based instructional lessons and intentional social engagement opportunities. Applicants may submit proposals for projects led by teaching artists not on the roster. Priority is given to projects led by Vermont artists.”

The application opens on September 1 with a November 1 deadline to submit.Read the full announcement here.

AI-created art win’s Colorado State Fair competition

As all sectors in life become more and more inundated with the digital realm, we will of course keep seeing one of the same questions popping up in the art world—is art made by artificial intelligence really art? The hot topic has sprung up once again after the Colorado State Fair’s art competition with an AI-created artwork and ended up receiving first place with it.

 

Jason Allen, a game designer, had the text-to-image software Midjourney create three pieces which he submitted to the Colorado State Fair’s art competition priced at $750 each. Withholding the fact that they were created by AI, the piece Théâtre D’opéra Spatial won first prize—a science-fantasy scene viewed from behind of three figures in red and white flowing garments that appear on a platform, one taking an operatic position and seemingly performing with a radiant, circular portal gleaming across the space, centring the image.

 

Clearly, Allen had intent with this submission, claiming on his Discord server “I’ve set out to make a statement using Midjourney in a competitive manner.” And there is certainly nothing wrong with creating works using AI—or AI’s creating artwork, which seems more the case here as well as in concerted efforts such as Ai-Da. But there does seem to be a nihilistic and adversarial tinge to his motivations, taking a flippant tone in interviews and stating “Art is dead… It’s over. AI won. Humans lost.”

 

The judge for the Colorado State Fair has maintained that he still would have given the work first place on visual merit alone. There has been discussion of there being new categories implemented in competitions to separate AI-created art from human-created art, something even Allen suggested in the wake of this.

 

But the question of whether human art is over is a relatively absurd one. An inherent limitation of all AI—as set out in the evergreen logic of Douglas Hofstadter in the seminal Godel, Escher, Bach—is that it cannot think beyond the parameters by which its human creators have set down for it. Even a learning AI will always be limited in its inability to step outside of its processes to think truly outside the box. In this way, creative AI will only ever be able to make within their defined contexts, and it is not feasible that any will be powerful enough to create across the entire spectrum of what is capable of humans to produce accurate results to the degree that humans will be rendered obsolete.

 

But even if such an AI was the case—any artist that would throw down their brush is an artist of little heart. There will always be a hand, whether of flesh or code, that can create in a way near-identical to your own. That is no reason to do away with the process of letting ideas flow from the mind to the world to share in the act of creation; it will always be a vital and celebrated aspect of humanity, even long after this world loses any form of AI. Jason Allen and Midjourney’s victory in no way compromises the sanctity of art, nor the Colorado State Fair.

September Member Spotlight: Frey Foundation

Frey Foundation, a GIA member since 2013, is a family foundation based in Grand Rapids, Michigan that is committed to making a difference in the lives of individuals, families, organizations, and communities. Grants are awarded to non-profit organizations primarily in West and Northern Michigan for projects that enhance child development, protect natural resources, promote the arts, and build community.

We view the arts as a key indicator of community health, and a powerful tool for individual expression. Our goals are to stimulate the vitality, effectiveness, and growth of community-based arts and to encourage community engagement in cultural experiences, particularly among children. A recent project supported by the Frey Foundation, The 49507 Project, exemplifies these priorities and uses public art to celebrate and connect communities.

The 49507 Project is an initiative of The Diatribe, a grassroots organization led by a group of nontraditional teaching artists. It engaged youth from its arts programming during community listening sessions with residents to gather creative input to understand how they imagine themselves and how they want to see their neighborhoods evolve. Michigan-based artists of color synthesized these ideas and designed seven large scale murals that celebrate and reflect Black and Brown lives, culture, and experiences in neighborhoods in Grand Rapids’ 49507 zip code. Murals were installed on prominent buildings and unveiled at well-attended community celebrations. The result is not only beautiful but powerful.

We encourage you to learn more about The Diatribe and The 49507 Project by visiting thediatribe.org. You can also find more information about the Frey Foundation and our grantees at freyfdn.org.

You can also visit the Frey Foundation photo gallery on GIA’s Photo Credits page.