United Arts Agency | UAA

Monthly Archives:July 2022

New Report: Artists in the Workforce

From the National Endowment for the Arts, “This Arts Data Profile gives national and state-level estimates of artists in the workforce. The figures derive from American Community Survey (ACS) data covering 2015-2019. The ACS is conducted by the U.S. Census Bureau. State-level estimates are available for the total number of artists and for each individual type of artist (workers in any of 13 specific artist occupations).”

The interactive map, “illustrates both counts and location quotients for the total number of artists, and for workers,” for a number of creative fields.

Read the full report here.

What We’re Reading: Empowering U.S. Finance Literacy for Indigenous Communities

“Indigenous communities face multi-level hurdles to thriving in U.S. financial systems. First, communities are governed by both the U.S. and their tribal affiliations, which creates unique structures for each group. But laws harken back to a toxic mixture of treaties and broken promises, leaving many without the foundation for financial stability,” said author Hadassah Patterson for Next City. “Adding to this are a hodge-podge of modern-day legislative gaps, policy bias and lack of access to financial services.”

“Financial education is an integral piece in the systemic oppression around access to capital for Native communities…Native individuals are also the least likely of any minority group to have emergency funds or a banking/checking account of any other minority population in the nation. So Native families wouldn’t have access to the emergency loans necessary to keep families housed, fed, and safe through the pandemic crisis and its recovery period.”

“In the near future, we are broadening our range of financial education programming. We’re launching an advanced curriculum for Building Native Communities: Financial Coaching for Families to assist Native financial practitioners in further developing their coaching skills in 2023,” said Patterson. “We’ll also roll out the full Native CDFI Practitioners Certification program. This program is designed to build the operational sustainability and organizational capacity of Native CDFIs across the country, through tailored instruction on financial management, lending, development services, impact tracking, marketing, capitalization and more.”

Read the full article here.

Global Healthcare Illustration Awards

International Deadline: August 15, 2022 – Association of Illustrators announces the launch of the Global Healthcare Illustration Awards, celebrating the best healthcare related images created by illustrators…

The Hodder Fellowship

International Deadline: September 13, 2022 – The Hodder Fellowship will be given to artists of exceptional promise to pursue independent projects at Princeton University during the academic year. $88,000 stipend…

Hidden van Gogh self-portrait revealed on back of painting

The discovery of a long-hidden artwork is always an occasion of excitement. Whether it be through an institution stumbling upon a work that fell through the cracks or discerning a hidden layer to an existent work, there’s a mystique to this event that so rarely occurs. This past week the National Galleries of Scotland made a remarkable discovery of the sort when they found a hidden van Gogh portrait on the back of one of their pieces.

 

In advance of the National Galleries of Scotland’s exhibition “A Taste for Impressionism”, they had been examining Head of a Peasant Woman (1885) by Vincent van Gogh—a simple and sober depiction of what appears to be a milkmaid, with a slight warmth to her skin. As they looked over it with an x-ray, they were shocked to discover the unmistakable visage of van Gogh in self-portrait on the reverse side. A later work than Head of a Peasant Woman, this is not the first such instance of the pained and prolific artist placing an image of himself on the reverse of an earlier canvas.

 

“Head of a Peasant Woman” by Vincent van Gogh; courtesy of National Galleries of Scotland.

 

For the moment the gallery is still working towards the process of revealing the hidden van Gogh in a necessarily careful fashion—it sits under layers of cardboard and glue and will require “delicate conservation work” so as not to damage either painting.

 

But even in its current form as an x-ray image, the work is truly striking. With half of his face lost in darkness, practically dissolving into its surroundings, the artist’s one eye stares fixedly out towards the viewer, little facial features available to give humanity to ground the expression in humanity. His brimmed hat and knot tie give it a sense of normalcy, but sitting with such a pointed gaze halfway into an abyss of chalkboard green haunts us with a strong representation of that which underpinned van Gogh’s hopeful colours.

 

What strikes most perhaps in this sombre image is the left ear still being fully intact.

 

Until the hidden van Gogh can be properly uncovered, the National Galleries of Scotland will allow the world to view this covert piece via a specialized light box as part of the display. Whether the revealing process will be feasible still remains to be seen. Still, the sheer knowledge of this painting’s existence makes it a tremendous addition to the legacy of one of the world’s greatest painters. Even long after the world came to see his beauty, he still finds ways to surprise us.

Play/Ground

International Deadline: August 14, 2022 – The Play/Ground team is looking for proposals for engaging and immersive art installations that can excite and unite visitors around the power of art. Budget production…

Another successful auction for Springwater Environmental Sciences School!  This …

Another successful auction for Springwater Environmental Sciences School! This …


Another successful auction for Springwater Environmental Sciences School! This is Sparrow’s last year at this great school so I was glad to end it with a bang. Thanks to all the bidders who pushed this Bat of mine up to $700! It was a blast to make and learned the technique of electrolysis in the process. #tylerfuquacreations #sess #springwaterschool #bat #art #sculpture #reclaimedart



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Community Focus Space (CFS) Program

U.S. Regional Deadline: September 30, 2022 – John Wayne Airport is calling for visual artists to apply for solo-style exhibition slots in the JWA Community Focus Space (CFS) program with monthly exhibit openings…

What We’re Watching: A Course on the Imaginal: Cultivating the Visionary Self

“In the face of compounding historical traumas, environmental collapse, and chronic uncertainty, we know as a species that we need something radically different. Yet, many of us feel the pain of not knowing where to begin. In this course, we will explore and exercise our creative muscle in order to strengthen our visionary self. When we create as a form of prayer, the space inside and between us becomes a sanctuary. The opening of portals for futures unknown.”

“Come, let us sit together in circles of wonder and creative devotion. There are no answers here; this is an enchanting dance with the unknown, so let us become a fellowship of voyagers. This course is an invitation to surrender. The etymology of ‘surrender’ is to make from above. In these times, the inner visionary must reach beyond the realms of this world and into one that already exist, simultaneously within and just beyond us, pulling it down into existence through a faithful act of co-creation.”

Join Alixa Garcia for this 4-month workshop series September-December. It is offered virtually via zoom and scholarships are available. 50% of all tuition will go towards supporting our sisters and brothers who are protecting the Amazon Rainforest.

Register for the session here.