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Monthly Archives:January 2021

Paris green-lights major £225m Champs-Élysées revamp

Last year, we looked forward to Christo’s temporary transformation of the Arc de Triomphe (an installation now scheduled for October this year) but now, Paris has announced big plans for the Champs-Élysées, the iconic avenue that leads up to the Arc de Triomphe. The Champs-Élysées will be getting a permanent facelift over the next few years bringing greenery, and hopefully new life, back to the beloved Parisian promenade.

Mayor of Paris Anne Hidalgo announced that the €250 million (£225 million) project – unveiled in 2019 – has officially been approved following campaigns to rethink the avenue that started in 2018. PCA-Stream, architect Philippe Chiambaretta’s firm, designed the plans for the Champs-Élysées, which will transform the 1.2-mile avenue into “an extraordinary garden.”

A digital rendering of the Champs-Élysées showing the Arc de Triomphe

In a statement, the committee behind the project stated that over the last three decades, the “legendary” Champs-Élysées had “lost its splendour” and been “progressively abandoned by Parisians.” To reinvigorate the avenue, the design will see that vehicle traffic is reduced by half, streets are transformed into pedestrian areas, and green areas are added to improve air quality.

Originally designed in 1667 by André Le Nôtre, Louis XIV’s gardener, the major avenue was renamed the Champs-Élysées, after the Elysian Fields of mythical Greek afterlife, and extended in 1709. It has since been a hub for French and Parisian life, alike. It’s where Bastille Day is annually recognised and where people have taken to the streets to celebrate iconic moments of all kinds, from the end of Nazi occupation in 1944 to when France won the World Cup in 1998 and 2018.

In recent years, though, the Champs-Élysées has lost a critical part of its nature: the people of France. According to research released at the end of 2019, around 100,000 people circulated along the avenue each day. Of those pedestrians, 72 percent were tourists and 22 percent were people who work in the area. Today, the Champs-Élysées is lined with high-end retailers and expensive cafes, leaving little question as to why fewer locals head to the thoroughfare.

A digital rendering of the Champs-Élysées

In addition to the dwindling number of Parisians taking to the Champs-Élysées, the street has also developed a pretty severe pollution problem. At the time of the study, eight lanes of traffic throbbed with an average of 3,000 cars every hour, most of which were passing through on the road that loops around Paris.

“It was always designed for the people and shouldn’t just be a luxury avenue,” said Chiambaretta, who noted that “pollution, the place of the car, tourism, and consumerism” were the downfall of the Champs-Élysées, as well as other cities around the world.

Of course, since the pandemic set in, the figures above are a bit different, but if nothing was done, it was anticipated that these numbers would return to be much the same, so Paris is acting now.

The revamp also includes new plans for the Place de la Concorde, which sits at the opposite end of the Champs-Élysées from the Arc de Triomphe. The city has a lot planned, in terms of public works, ahead of hosting the 2024 Olympics, which include changes to the Place de la Concorde. However, due to its extensive nature, the Champs- Élysées project isn’t expected to be finished before 2030.

5th Annual Black & White Art Competition

International Deadline: February 1, 2021 – Fusion Art invites entries for the 5th Annual Black & White art competition for an online & Palm Springs Gallery exhibition. Open worldwide. Cash Awards…

Diversia: Life – International Group Exhibition

International Deadline: January 24, 2021 – Diversia: Life offers a full featured online group exhibition in February 2021 combined with online sales, artist certificate, promotion and a colorful stylish exhibition book…

LENS 2021 Juried Photography Exhibition

International Deadline: January 18, 2021 (extended) – Perspective Gallery annual juried exhibition of photography. All subject matter and processes welcome. Juror Gibran Villalobos, MCA Chicago. Cash awards…

Art in B&W

U.S. National Deadline: February 6, 2021 – 3 Square Art seeks black and white to sixty shades of gray that conveys a message in a world without color, from conceptual to realistic. Cash awards, plus…

Philanthropies Condemn Political Violence, Call on Leaders to Protect Democracy and Get Back to the People’s Business

A group of philanthropic organizations signed a joint letter condemning the violence that unfolded January 6 as a pro-Trump mob stormed the US Capitol.

The letter reads:

As representatives of nonpartisan philanthropic institutions, serving rural, urban, and suburban communities across the nation, we condemn the violence that broke out at the U.S. Capitol this week. The events in Washington are a stain on our nation’s history and a painful break in the peaceful transition of power that has been a defining hallmark of American democracy for more than 200 years.

The shameful events are the result of actions by President Trump and other political leaders who have recklessly fanned the flames of grievance. Those responsible for this deadly violence and insurrection must be held to account, and we call on Republican leaders, in particular, in government and media to unequivocally reject conspiracy theories and the actions of extremists who use violence.

Eddie Torres, Grantmakers in the Arts President & CEO, also signed this letter.

Read here.

In Case You Missed It: “After a BIPOC Theater Coalition’s Bold Call to Action, Have Funders Stepped Up?”

Inside Philanthropy reminds readers that in July, a coalition of Black, Indigenous and people of color (BIPOC) theater-makers published an open letter titled “We See You, White American Theatre,” calling for change across the field in areas like hiring, work conditions and programming. This article asks: Five months later, are funders rising to the challenge?

Read here.

“Co-Operative Platform Ownership Is Keeping Artists in Business”: What we’re reading

Cooperative funding may be integral to sustaining a career in the arts, as an article in Next City explores.

The coronavirus pandemic has shined an even brighter spotlight on the need for shared community wealth. In cities across the country, people are turning to worker cooperatives and community wealth building to solve housing instability, local job loss, even to fund local news organizations. For artists, who can be particularly vulnerable to recessions and economic instability, this model could be key to helping them make a living through their work.

Read here.

Smithsonian collects ephemera from insurrection at US Capitol Building

Curators at the Smithsonian National Museum of American History in Washington, DC spent the aftermath of the January 6th unrest at the country’s capital collecting signs and posters. The ephemera were carried and paraded by members of the pro-Trump mob that stormed the Capitol Building while Congress met to finalise the 2020 presidential election.

The insurrection took place last Wednesday when a mob of Trump supporters broke into the Capitol Building, seemingly to disrupt Congress proceedings involving election results. Capitol Police were quickly overwhelmed, which has been a major point of contention, and people invaded the usually fortress-like building. Photographs circulated of members of Congress hiding in the House Chamber, people excitedly looting government property, and others breaking into locked offices.

The day following the events, the National Museum of American History announced it would be collecting ephemera used in and representative of the events. Among the signs collected so far were those that read “Off with their heads – stop the steal” and “Trump won, swamp stole.”

“As an institution, we are committed to understanding how Americans make change,” said Anthea M. Hartig, director of the National Museum of American History. “This election season has offered remarkable instances of the pain and possibility involved in that process of reckoning with the past and shaping the future.”

As the museum launched their efforts, the Capitol Building was already underway with a cleanup of their own and evaluating the damage. A federal investigation into the events has also been launched, so a number of items from the mob have been collected for those purposes. The National Museum of American History is hopeful that in the near future they will be able to work with the Capitol Building to acquire items left inside from the riots.

The Smithsonian has also put out a call for contributions, including photos and items for the day with a description. Those with items that may be of interest can contact the museum at 2020ElectionCollection@si.edu.

The ultimate goal of the collection, continued Hartig, is that the items will “help future generations remember and contextualize Jan. 6 [sic] and its aftermath.”

In recent months, museums have been busy collection items from defining moments in history. Most recently, Smithsonian curators took to the streets to collect signs used in protests after the death of George Floyd. Other museums that have taken similar action include the V&A who put out an open-call for home-made signs made during the pandemic, including rainbows signs of support and shop signs promising a quick return. The V&A also used “rapid response collecting” in the summer of 2019 to collect objects used in Extinction Rebellion protests that took over the London news.