{"id":6926,"date":"2021-03-05T13:45:33","date_gmt":"2021-03-05T13:45:33","guid":{"rendered":"https:\/\/uaaglobal.com\/art-world-roundup-new-exhibition-highlights-female-artists-banksy-claims-mural-at-reading-prison-covid-19-heads-to-the-smithsonian-and-more\/"},"modified":"2021-03-05T13:45:33","modified_gmt":"2021-03-05T13:45:33","slug":"art-world-roundup-new-exhibition-highlights-female-artists-banksy-claims-mural-at-reading-prison-covid-19-heads-to-the-smithsonian-and-more","status":"publish","type":"post","link":"https:\/\/uaaglobal.com\/art-world-roundup-new-exhibition-highlights-female-artists-banksy-claims-mural-at-reading-prison-covid-19-heads-to-the-smithsonian-and-more\/","title":{"rendered":"Art World Roundup: new exhibition highlights female artists, Banksy claims mural at Reading Prison, COVID-19 heads to the Smithsonian, and more"},"content":{"rendered":"

In this week\u2019s Art World Roundup, we cover \u201cHeart of the Matter,\u201d a new online exhibition at the Gillian Jason Gallery in support of International Women\u2019s Day, a Trump executive order that\u2019s been walked back by Biden, and Banksy\u2019s mural that appeared on the wall of Reading Prison. Also, why the Man Ray Trust tried to halt an auction at Christie\u2019s, how the coronavirus is entering the Smithsonian without infecting anyone, and the V&A announces massive job cuts to ensure stability.\u00a0<\/strong><\/p>\n

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London gallery celebrates International Women\u2019s Day with new exhibition<\/strong><\/h6>\n

London\u2019s Gillian Jason Gallery<\/a> is set to present a new online exhibition titled \u201cHeart of the Matter.\u201d Curated by Mollie E. Barnes, founder of She Curates, the exhibition features paintings and sculptural works by 12 female artists, both established and emerging. \u201cHeart of the Matter<\/a>\u201d will go live on March 8th<\/sup> in celebration of International Women\u2019s Day and run through the 15th<\/sup> of April. In keeping with the 2021 International Women\u2019s Day theme, Choose to Challenge<\/a>, the gallery and curator have committed to challenging gender inequality within the art world while also providing artists with a platform. The exhibition will bring together new and recent works by Tracey Emin, Bridget Riley, Chantal Joffe, Jasmine Pradissitto, Sikelela Owen, Emma Prempeh, Layla Andrews, Eleanor Johnson, Sarah Jane Moon, Sahara Longe, and Cecily Brown that provide \u201ca snapshot of the present with a powerful and positive look towards the future.\u201d In a press release for the exhibition, Gillian Jason Gallery Director Elli Jason Foster said, \u201cThe last twelve months have been tough for many people in the arts. If we are able to take a step towards connecting with the upcoming young collectors and at the same time correcting some of the gender inequalities that have existed for so long in the artworld then we can sincerely see great change within our reach. GJG is committed to this change and the artists that we work with.\u201d Established in 1982 by Gillian Jason, who passed away last year, the Gillian Jason Gallery specialises in modern and contemporary works by women. The gallery is now managed by Jason\u2019s daughter, Elli, and granddaughter, Millie.<\/p>\n

\"A<\/a>
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Biden walks back Trump\u2019s architecture executive order<\/strong><\/h6>\n

One of former President Trump\u2019s final executive orders<\/a> was aimed at making classical architecture the go-to aesthetic for new government buildings. The order didn\u2019t go as far as banning consideration for new architectural styles, but it did receive backlash from the architecture community. Those who were against the measure are now breathing a sigh of relief after President Biden withdrew that order. Naturally, both decisions have received praise and criticism. Biden\u2019s choice to revoke the executive order was called \u201cdisappointing\u201d by Justin Shubow, the Trump appointee who recently became chairman of the fine arts commission and played a major role in the order. Shubow, who is the president of the National Civic Art Society, did say in an interview, though, that the society \u201cintends to work with the Biden administration to promote change that will construct a truly democratic architecture.\u201d Among those who are likely applauding Biden\u2019s decision is New York Times<\/em> architecture critic Michael Kimmelman, who wrote<\/a> that \u201cjust to have this argument feels demeaning\u201d when the former president dubbed modern architectural styles to be \u201cugly and inconsistent.\u201d According to Peter Exley<\/a>, president of the American Institute of Architecture, which was staunchly against the ousted executive order, in revoking the order, Biden\u2019s administration \u201chas restored communities with the freedom of design choice that is essential to designing federal buildings that best serve the public.\u201d He continued saying: \u201cThis is fundamental to an architect\u2019s process and to achieving the highest quality buildings possible.\u201d<\/p>\n

\"President
President Joe Biden signs executive orders on immigration Tuesday, Feb. 2, 2021, in the Oval Office of the White House. (Official White House Photo by Adam Schultz)<\/figcaption><\/figure>\n

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Banksy, Bob Ross, and Reading Prison<\/strong><\/h6>\n

Banksy took ownership over a stencil mural that appeared earlier this week on the wall of the former Reading Prison. The mural, which was immediately suspected to be by the artist, depicts a man in a gray and white striped prison uniform repelling down the prison\u2019s wall using bed sheets tied together. It seems that Banksy in paying homage to Oscar Wilde, the famed Irish poet who was imprisoned at Reading Prison between 1895 and 1897, as the man in the artwork resembles Wilde and a typewriter dangles at the end of the makeshift rope. Banksy took to Instagram to lay claim to the artwork, but the post was somewhat unusual to recent Banksy reveals. Set against the words of late American artist Bob Ross<\/a>, first-hand video shows the mural being painted under the veil of darkness. Many have speculated that the mural is Banksy\u2019s way of publicly supporting a campaign that is seeking to transform the prison, which has been discussed since 2013, into an arts hub as opposed to it being sold for housing. In a statement, the Reading Borough Council said<\/a>: \u201cWe are thrilled that Banksy appears to have thrown his support behind the council\u2019s desire to transform the vacant Reading Gaol into a beacon of arts, heritage and culture with this piece of artwork he has aptly called Create Escape. The council is pushing the Ministry of Justice, who own the site, to make suitable arrangements to protect the image.\u201d<\/p>\n

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A post shared by Banksy (@banksy)<\/a><\/p>\n<\/div>\n<\/blockquote>\n

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Controversy over recent Christie\u2019s sale of works by Man Ray<\/strong><\/h6>\n

The Man Ray Trust claims that nearly 150 artworks by or owned by the late artist included in a recent sale at Christie\u2019s were stolen by the Surrealist\u2019s former assistant, Lucien Treillard. In a statement, the trust, which oversees Man Ray\u2019s estate, questioned the provenance and rightful ownership of 148 of 188 lots that hit the auction floor this week. \u201cContemporaries of Man Ray and Juliet Man Ray advised the Man Ray Trust that there is significant reason to believe Lucien Treillard stole a substantial number of Man Ray\u2019s works and possessions immediately following his death,\u201d read the statement<\/a> in part. The trust alleges that the auction house did not gain copyright permission to use photos of works by Man Ray and asked Christie\u2019s to postpone the sale. However, Christie\u2019s moved ahead with the Paris auction, which brought in around \u20ac5.9 million (\u00a35.1 million). \u201cWe would not offer any work for sale if we had any reason to think that there are any issues with the works or that ownership could not pass freely to our buyers at auction,\u201d a spokesperson for Christie\u2019s said<\/a>. \u201cWe have given very careful consideration to the concerns raised by the Man Ray Trust.\u201d<\/p>\n

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COVID-19 heads to the Smithsonian, but in a good way<\/strong><\/h6>\n

Dr Anthony Fauci, who has become a household name in the USA during the pandemic, has donated a 3D rendering of the coronavirus<\/a> to the Smithsonian\u2019s National Museum of American History in Washington, DC. Fauci, who is the director of the Institute of Allergy and Infectious Diseases at the National Institutes of Health and has served as the chief medical advisor under the Trump and Biden administrations, used the diagram in many of his COVID-19-related briefings. In April, the museum began collecting items related to the pandemic as part of its Rapid Response Collecting Task Force and it has warmly welcomed the model. The orange and blue model will be added to its collection of pandemic ephemera. It depicts the virus in its full infectious form, the SARS-CoV-2 virion, and showcases the spike proteins which allowed the virus to become so contagious. \u201cI wanted to pick something that was really meaningful to me and important because I used it so often,\u201d Fauci told<\/a> The New York Times<\/em>. \u201cIt\u2019s a really phenomenally graphic way to get people to understand.\u201d In a statement<\/a>, museum director Anthea Hartig said, \u201cDr. Fauci has helped save millions of lives and advanced the treatment and our understanding of infectious and immunologic diseases across more than five decades of public service. His humanitarianism and dedication truly exemplify what it means to be a Great American.\u201d<\/p>\n

\"US
Dr. Anthony S. Fauci holds his personal 3D-printed model of the SARS-CoV-2 virion during the \u201cGreat Americans Awards Program.\u201d Photo courtesy of the National Museum of American History<\/figcaption><\/figure>\n

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The V&A announces major job cuts across all departments<\/strong><\/h6>\n

In order to offset a \u201cmounting deficit,\u201d Tristram Hunt confirmed<\/a> this week that the Victoria and Albert Museum in London will be cutting 140 jobs across multiple departments as part of the museum\u2019s \u201crecovery strategy.\u201d The plan will see roughly 14 percent of the museum\u2019s staff cut, including 30 curatorial positions, with the hopes of trimming \u00a310 million from its budget by 2023. In order to accommodate a smaller staff, the V&A is restructuring departments. The European and North and South American departments will now be combined while the sub-Saharan African and African diaspora collections will be merged with the Asian collection to form a new department. Also, the V&A Research Institute will absorb the V&A\u2019s Archives and National Art Library. \u201cIt\u2019s hollowing out the expertise of the museum,\u201d one critic told<\/a> the\u00a0Guardian<\/em>. \u201cVery experienced conservators are leaving or have left. Some conservators and curators have already left on voluntary terms. The next wave is forced redundancies.\u201d In a statement<\/a> to Artnet News<\/em>, a spokesperson for the museums said, \u201cThe proposed changes will simplify department structures,\u00a0retaining curatorial expertise and specialisms across all key material types. Our focus remains on consulting openly and meaningfully on the proposals with our staff and trade union colleagues, and to support our staff community through this difficult process.\u201d<\/p>\n

\"Entrance
Entrance to the Victoria and Albert Museum in London. Courtesy Wikimedia Commons.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

In this week\u2019s Art World Roundup, we cover \u201cHeart of the Matter,\u201d a new online exhibition at the Gillian Jason Gallery in support of International Women\u2019s Day, a Trump executive order that\u2019s been walked back by Biden, and Banksy\u2019s mural that appeared on the wall of Reading Prison. Also, why the Man Ray Trust tried […]<\/p>\n","protected":false},"author":0,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[1],"tags":[],"yoast_head":"\nArt World Roundup: new exhibition highlights female artists, Banksy claims mural at Reading Prison, COVID-19 heads to the Smithsonian, and more - United Arts Agency | UAA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uaaglobal.com\/art-world-roundup-new-exhibition-highlights-female-artists-banksy-claims-mural-at-reading-prison-covid-19-heads-to-the-smithsonian-and-more\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Art World Roundup: new exhibition highlights female artists, Banksy claims mural at Reading Prison, COVID-19 heads to the Smithsonian, and more - United Arts Agency | UAA\" \/>\n<meta property=\"og:description\" content=\"In this week\u2019s Art World Roundup, we cover \u201cHeart of the Matter,\u201d a new online exhibition at the Gillian Jason Gallery in support of International Women\u2019s Day, a Trump executive order that\u2019s been walked back by Biden, and Banksy\u2019s mural that appeared on the wall of Reading Prison. 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