{"id":31131,"date":"2024-05-01T21:52:22","date_gmt":"2024-05-01T21:52:22","guid":{"rendered":"https:\/\/uaaglobal.com\/the-humanity-of-an-actor-in-in-her-time-iris-version\/"},"modified":"2024-05-01T21:52:22","modified_gmt":"2024-05-01T21:52:22","slug":"the-humanity-of-an-actor-in-in-her-time-iris-version","status":"publish","type":"post","link":"https:\/\/uaaglobal.com\/the-humanity-of-an-actor-in-in-her-time-iris-version\/","title":{"rendered":"The humanity of an actor in \u201cIn Her Time (Iris\u2019 Version)\u201d"},"content":{"rendered":"
The film industry is a multi-faceted machine of artifice. Not only in its material, but there is a particularly inhuman quality to the making of large-scale works, creating a bubbled environment. None embody this odd surreality better than actors, those who are charged with creating these contrived ideas by containing them, even into their daily lives through publicity and social media. And in Diane Severin Nguyen\u2019s In Her Time (Iris\u2019 Version), a rumination of art, artist, and perception is explored for an intimate view from within the silver screen.<\/p>\n