{"id":10286,"date":"2021-09-05T16:14:48","date_gmt":"2021-09-05T16:14:48","guid":{"rendered":"https:\/\/uaaglobal.com\/wendy-williams-watts-big-love-balls-bounce-into-hearts-of-the-public\/"},"modified":"2021-09-05T16:14:48","modified_gmt":"2021-09-05T16:14:48","slug":"wendy-williams-watts-big-love-balls-bounce-into-hearts-of-the-public","status":"publish","type":"post","link":"https:\/\/uaaglobal.com\/wendy-williams-watts-big-love-balls-bounce-into-hearts-of-the-public\/","title":{"rendered":"Wendy Williams Watt\u2019s \u2018Big Love Balls\u2019 bounce into hearts of the public"},"content":{"rendered":"
A common thread throughout the majority of public art is positivity. Whether this is through the form of performance, statue, or mural, a strong desire woven into many pieces meant for pedestrian consumption is that they strike a bright chord. While there are certainly those of empowering or socio-politically critical bends, there is certainly a lean towards hopeful beacons of expression sewn throughout cities, and so it comes as no surprise how resonant the Big Love Balls of Vancouver, British Colombia were when a new pop-up appeared across the Canadian city this past week.<\/p>\n
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Courtesy of North Shore News.<\/p>\n
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Without much explanation, one can likely conjure the image of the Big Love Balls\u2014in an entirely safe-for-work connotation. Large (person-height), plastic, glossy neon pink spheres, all huddled into a pile and each emblazoned with the word \u201cLOVE\u201d. These pearly pyramids of pink sprouted up across shipyards and other sections of Northern Vancouver as a pop-up, to the seeming delight of passersby.<\/p>\n
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