1.0United Arts Agency | UAAhttps://uaaglobal.comrich600338<blockquote class="wp-embedded-content" data-secret="0MkcMYrr4q"><a href="https://uaaglobal.com/new-resource-equitable-contracting-for-dance-touring/">New Resource: Equitable Contracting for Dance Touring</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://uaaglobal.com/new-resource-equitable-contracting-for-dance-touring/embed/#?secret=0MkcMYrr4q" width="600" height="338" title="“New Resource: Equitable Contracting for Dance Touring” — United Arts Agency | UAA" data-secret="0MkcMYrr4q" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> Submitted by Jaime Sharp on October 27, 2022 From Dance/USA: “In Spring 2020, COVID-19 set off a wave of performance and residency cancellations. The termination of contracts through the invocation of Force Majeure was devastating to artists, managers, presenters and in some cases, to their relationships. By June 2020, Dance/USA members from the Agents, Managers, […]