1.0United Arts Agency | UAAhttps://uaaglobal.comrich600338<blockquote class="wp-embedded-content" data-secret="jn6EBhAbvL"><a href="https://uaaglobal.com/icymi-the-value-of-the-anchor-artist/">ICYMI: The Value of the “Anchor Artist”</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://uaaglobal.com/icymi-the-value-of-the-anchor-artist/embed/#?secret=jn6EBhAbvL" width="600" height="338" title="“ICYMI: The Value of the “Anchor Artist”” — United Arts Agency | UAA" data-secret="jn6EBhAbvL" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> Submitted by Jaime Sharp on July 12, 2022 “Just as no two artists are alike, every arts community is defined by a distinct matrix of identities, perspectives, histories, and economic conditions,” said former GIA board chair Ted Russell, and Lu Zhang. “In order to be successful at any level, arts funding must respond to these […]